Nate Mayakovsky attitude to art. Analysis of Mayakovsky's poem Nate! Images and symbols
As a futurist and modernist, Vladimir Mayakovsky sought not only to challenge his fellow writers, but also to provoke the modern public. His manner of writing and reading poetry aroused surprise among the intelligentsia, which grew into indignation. Actually, the most famous poem of the early period of Mayakovsky's work - “Nate!” Is addressed to such an intelligentsia.
The title itself, consisting of a vernacular and unacceptable expression for the poetry of the early twentieth century, sets the tone for the future poem. It also represents the speech of the lyrical hero, in which the reader easily recognizes the poet - "I have opened so many verses of caskets to you." The hero delivers this speech at one of the poetry evenings, addressing the audience in a very ironic manner.
"Plump fat", a man with a cabbage in his mustache, a woman compared to an oyster; dirty, "hundred-headed louse" - it's all about the audience who visited the poetry evening. The hero opposes himself to the public - the result is the immortal Pushkin antithesis "poet - crowd". The poet in this case is a “rude Hun”, but the crowd is by no means likened, as one might expect, to the graceful inhabitants of Rome, whose culture the Hun, in theory, destroys. On the contrary, the deliberate rudeness and naturalness of the poet is opposed to the stiffness, unnaturalness and absolute earthliness of those on whom he spends his poems.
And he is a “squanderer and waste” because he allows himself to divulge priceless words to those who, obviously, do not understand them. Such a crowd is a louse in the poet's heart, blackening his poems with their inability to understand, appreciate and love them because of their remoteness from everything high that is bestowed on the poet. It is not surprising that the reading of this poem at a real literary evening caused a scandal and indignation of the public, which just understood the poem, but, for obvious reasons, did not appreciate it.
Analysis of the poem by V.V. Mayakovsky "Nate!"
The poem "Nate!", Written in 1913, is one of the poet's early works. This is one of the classic examples of Mayakovsky's early satire. Main topic early lyrics in general and this poem in particular - the rejection of the existing reality. Here the poet mercilessly, furiously criticizes the existing world order, creating vivid satirical images of well-fed, self-satisfied, indifferent people. In the center of the poem is the traditional conflict the poet and the crowd. The public, the crowd takes the poet for a slave, ready to fulfill her every desire. But he rebels against her, proclaiming his main goal - serving art. The first stanza draws the environment of the lyrical hero. The poet depicts people in the form of "flabby fat" (a symbol of satiety, which turned into complacency and stupidity). The hero opposes himself to this society, because his distinguishing feature is spiritual generosity, he is "a waste and spender of priceless words."
In the second stanza, the gap between the poet and the crowd widens: the poet depicts people who are completely immersed in everyday life and destroyed, morally killed by him:
You look like an oyster from the shell of things.
The third stanza, like the first, is built on the opposition of the fragile, quivering "butterfly of a poetic heart" to the vile "hundred-headed louse", personifying a crowd of inhabitants. The outrageous, cynical and rude behavior of the hero in the final stanza is caused, on the one hand, by the fact that the creator must be strong, be able to defend himself, not give offense. And on the other - the desire to attract attention and be heard.
Analysis of the poem by V. Mayakovsky "Nate"
The rejection of the existing reality is the main motive of the early lyrics of Vladimir Mayakovsky. The poet declares himself the herald of new truths and faces the alienation of the people around him. The world around the lyrical hero Mayakovsky is inhuman, cruel and spiritually miserable. A moral person, a noble soul, is infinitely lonely in such a society. However, he does not so much despair and alienate his surroundings as he tries to fight with them. The poet mercilessly, furiously criticizes the existing world order, creating vivid satirical images of well-fed, self-satisfied, indifferent people. One of the classic examples of early satire by Vladimir Mayakovsky is the poem "Nate!". The title of the work already cuts the ear, it expresses the indignation of the creator, whom the spoiled public takes for a slave, ready to fulfill any of her desires. No, the hero of the poem - the poet - will serve art, and not this crowd, which wastes life in vain. The creator's monologue is very emotional, every word in it castigates the public, consisting of vulgar townsfolk:
I am a wast and a spender of priceless words.
The first stanza of the work presents us with the environment of the lyrical hero in general. The poet depicts people as one continuous fat, moreover, “flabby” (an epithet). This metaphor testifies precisely to their excessive satiety, which turned into complacency and stupidity. The poet opposes himself to all such a society, because the essence of the creator is by no means hoarding, but spiritual generosity. The hero calls his words "priceless" (an epithet) not out of vanity. Just art, poetry - the most precious thing he has. Poems are "gems" of the poet's heart, and they are stored, apparently, therefore, in "caskets". The hero does not hide these “jewels”, he is ready to open the secrets of his soul to everyone and everyone. But the trouble is that society does not need his poetry, as well as culture in general. With disgust, the hero describes the representatives of this world:
Somewhere half-finished, half-eaten cabbage soup;
The poet insults these people for a reason. He wants to be heard, he tries to stir up the philistine "swamp", to awaken the souls of these people, swollen with fat. What I like most about the second stanza is the “shell of things” metaphor. In my opinion, it very accurately reflects the complete immersion of a person in everyday life, killing a person, turning people into some kind of “molluscs”, devoid of an internal form and meekly taking on any guise, even the most terrible. Casting his prophetic gaze on this vile society, the poet understands one thing: a lot of suffering awaits him ahead:
Perched, dirty, in galoshes and without
galosh,
I will laugh and spit joyfully,
spit in your face
I am a priceless spender and spender of words.
The outrageous trick of the lyrical hero is again caused by the desire to attract attention and be heard at all costs. This is how Mayakovsky breaks into the poetry of the 20th century with a “rude Hun” to show the world of the well-fed, the underside of real life. The imperfection of the world order, the sharp discrepancy between dreams and reality, depressing lack of spirituality and vulgarity gave rise to an angry protest in the poet's soul. And he had one weapon - the word. Mayakovsky's poems will always be modern. They are directed to the future, because they call on a person to improve. The poet unobtrusively educates us. So, in the satirical work "Nate" he claims: spiritual death is much more terrible than physical. We must remember this and be vigilant.
Analysis of Mayakovsky's poem "Nate!"
The central compositional technique in the poem "Nate!" - antithesis. The catchy name itself eloquently testifies to this. The early lyrical hero of V. Mayakovsky romantically opposes himself to all mankind.
He tries to look at the world from the outside. And this sight terrifies him. The confrontation between the romantically inspired lyrical hero and the flabby world is also emphasized by the pronouns “I” - “you”, which are contrasted in contrast in the structure of the poem.
The city itself resists the artistically reduced image of the crowd. This opposition emphasizes the antithesis of "clean" - "dirty". The empty lane in the morning is clean and beautiful. And now, gradually crawling out of their homes, the townsfolk begin to dirty it:
Your flabby fat will flow out over the person.
V. Mayakovsky uses shocking technique in this work. He seems to want to anger, shock his reader and at the same time make him think about the values of timeless and eternal, which, alas, are replaced by the desire for external beauty.
The poet is annoyed by this society of well-fed and self-satisfied, petty-bourgeois citizens, dressed up and made up, and under this decent guise they disguised the most vile and spiteful souls, the preservation of the purity of which, alas, is replaced by society with the desire for external prettiness.
Everyone in the city lives his own hectic everyday life. He does not care about our lyrical hero. He is undoubtedly offended and deprived of attention. Maybe that's why he so wants to inject more painfully, hurt the townsfolk.
What does V. Mayakovsky proclaim as a value of the highest order? This is the spiritual life of man, his joys and sufferings. First of all, poetry can embody them. In the work, almost all sublime pictorial and expressive means are dedicated to her (“verses of caskets”, “priceless words”, “butterfly of a poetic heart”).
Early Mayakovsky is often reproached by critics for selfishness. However, it is important that he seeks to oppose the world not with himself (as a specific person), but with the type of poetic soul, a philosophically gifted being. The poet peers at those around him, at first he tries to consider people one at a time, then all types and faces merge.
In this poem, you can feel the game in reference to a certain tradition:
One involuntarily recalls the novel by F.M. Dostoevsky's "Crime and Punishment", in which the main character Rodion Raskolnikov divides people into "trembling creatures" and "having the right." For some, only a miserable existence is prepared among petty and mundane problems, endless fuss and hopeless poverty. Others have no laws. By the right of the strong and gifted, they are allowed to decide other people's destinies. The reader knows what such theories lead to on the pages of F.M. Dostoevsky. However, the pose of the master of life is still tempting for many.
In this case, the lyrical hero of V. Mayakovsky is in many ways likened to Raskolnikov, despising people as a crowd of miserable, insignificant, evil little men, seeks to rise above the world of ordinary beings, to emphasize his originality and exclusivity. At the same time, the lyrical hero is easily injured. His heart is like a big butterfly.
In many of Mayakovsky's poems, where the lyrical hero also challenges the world, he doesn't really care about the rest. But in this work, the poet is seized by genuine horror before the brutalized crowd.
"Nate" V. Mayakovsky Analysis 4
The verse "Nate!" Vladimir Mayakovsky
An hour from here to a clean lane
your flabby fat will flow out over a person,
and I opened so many verses of caskets for you,
I am a wast and a spender of priceless words.
Somewhere half-finished, half-eaten cabbage soup;
here you are, a woman, whitened thickly on you,
you look like an oyster from the shells of things.
pile up, dirty, in galoshes and without galoshes.
The crowd will go wild, will rub,
bristle legs hundred-headed louse.
I don’t want to grimace in front of you - and now
I will laugh and spit joyfully,
spit in your face
I am a priceless spender and spender.
Analysis of Mayakovsky's poem "Nate"
The literary world at the turn of the 19th and 20th centuries is undergoing significant changes, there are many different trends and trends that do not fit into the generally accepted canons. But even in this chaos and confusion, from which real diamonds of Russian poetry will crystallize only a few decades later, the figure of Vladimir Mayakovsky initially plays a very shocking role. The syllable, the sense of rhythm, the construction of phrases - these distinctive features make it possible to unmistakably recognize the works of the poet in a sea of literary experiments. At the same time, each rhymed line of Mayakovsky carries a certain semantic load, which is sometimes expressed in a rather rude and shocking form.
The poem "Nate!", written in 1913, refers to the early period of the poet's work, whose public outlook is just beginning to form. This stage of Mayakovsky's poetic experiments can rightfully be called rebellious, since the form is of secondary importance for him, but the author pays special attention to the content. His favorite technique is opposition, which the poet masterfully masters, which allows him to create vivid and multifaceted literary images. "Nate!" - this is a kind of challenge to bourgeois society, for which poetry is still an amorphous art, designed to delight the ear. Therefore, the author, who has to earn his living by reading his own poems in public, is very indignant at such a consumerist attitude towards literature. His poem "Nate!" just the same, it is dedicated to all those who see not the essence of poetry, but only its shell. an empty wrapper in which you can put any delicacy, the taste of which the inhabitants will not be able to feel.
Already from the first lines of his work, Vladimir Mayakovsky addresses the crowd, trying to provoke it, hurt it more and stir it up. Its goal is simple and clear - to make people who consider themselves to be a caste of true connoisseurs of art, look at themselves from the outside. As a result, a very ironic and caricature picture emerges that makes even those who, in the image of a man with “cabbage in his mustache” or a woman looking “like an oyster from the shell of things”, recognize themselves.
Such deliberate rudeness is not only a desire to express contempt for those for whom attending literary readings is a tribute to fashion. In such a simple way, the young Mayakovsky, among other things, wants to draw attention to his work, extraordinary, devoid of romance and sentimentality, but with undoubted charm and attractiveness. Outrageous antics for the poet are quite common, but behind the feigned indifference, causticity and satire hides a very vulnerable and sensual nature, which is not alien to sublime impulses and mental anguish.
"Nate!", analysis of Mayakovsky's poem
Poets are extraordinary people. Not like everyone else. They have a heightened perception of reality, a special, metaphorical, language. Poetry is alien to a simple layman. Obviously, therefore, the confrontation between the poet and the crowd in Russian literature has been known since the time of Alexander Sergeevich Pushkin. and in the world - since ancient Greek times. In 1828, in a difficult time of uncertainty and loneliness, Pushkin wrote the poem "The Poet and the Crowd". His hero, who does not have mutual understanding with the "stupid rabble", prefers creative solitude.
This is not the hero of the 20th century poet Vladimir Mayakovsky. Like the Futurists themselves, like Vladimir Mayakovsky himself, the hero of the early lyrics challenges the crowd. Even the titles of these works contain an appeal akin to an order: “Listen!”. "Nate!", "You!" .
In a poem "Nate!"(1913) the poet is not "heaven's chosen one", but "rude hun". A collective crowd image disgusting:
The crowd will go wild, will rub,
bristle legs hundred-headed louse.
Already from the first lines, when the hero is sure that in an hour "your flabby fat will flow out drop by drop". becomes obvious accusatory pathos of this poem. Moreover, the poet himself had a chance to throw it denunciation in the face of a decent bourgeois public, which gathered at the opening of the Pink Lantern cabaret, and Mayakovsky was invited as a guest.
The poem "Nate!" contrasts not just the poet and the crowd. At the beginning of the 20th century, on the eve of the First World War, life in Russia was not very high. Therefore, people who received large incomes came to cafes, restaurants, cabarets: speculators, traders, and philistines. Such representatives of society sometimes profited from someone else's misfortune, while themselves getting rich, and spent them on food and entertainment.
For the hero, this material world is associated with satiety and, as a result, with complacency and stupidity. The hero's world is represented by other values: his wealth is "so many verse caskets". and he himself "priceless words wast and spender". Of course, he calls himself that because he is ready to open his soul to anyone, so that precious words reach everyone's heart, but he does not see only worthy listeners. Either this is a man who "in the mustache there is cabbage somewhere half-eaten, half-eaten cabbage soup". or a woman who "dense white". and she "looks like an oyster from the shell of things" .
As long as they are harmless: after all, the one who sits in his "shell of things". can spend his whole life there without causing any harm to anyone. Whether there is such a person or not is not interesting. Even in the fairy tale by M.E. Saltykov-Shchedrin “The Wise Minnow”, such a type of layman was ridiculed, who “lived - trembled and died - trembled”.
But Mayakovsky understood that sooner or later there would be more such people, and they would turn into a threatening force - into "hundred-headed louse". which "bristle legs" and "with galoshes and without galoshes" perch on "butterfly of the poetic heart". Such a metaphor, at first glance, is incomparable in style with the vocabulary of the entire poem: these are not rude words, these are not shocking statements, and finally, this is not a challenge. On the contrary, a butterfly is a fragile and defenseless creature that cannot be touched with hands, even just touched, otherwise the butterfly will die.
After reading these lines, for a moment one becomes sincerely sorry for the hero, doomed to such "glory". But already in the next quatrain, the former hero appears - self-confident, loud-voiced, despising everyone who is not on a par with him. Human nature, according to Mayakovsky, is the unity of two principles: biological and spiritual. In bourgeois society, these beginnings are separated, so the spiritual is not only separated from the material - it simply has no place. Therefore, the author depicts everything material deliberately repulsive: "flabby fat". "half-eaten cabbage soup". "cabbage in the mustache" .
In the last quatrain appears "rude hun". who not only can afford not to grimace in front of the chewing crowd, but can even "Laugh and joyfully spit in the face" for those for whom art is just an excuse to have fun. Composition closes in a ring by repeating the words from the beginning of the poem:
I am a priceless spender and spender.
Thus, the last word remains with the hero. This is the whole of Mayakovsky. In his early poetry, according to critics, an emotional range is heard - from passionate intensity to shy timidity, from confidential confession to angry diatribe. Lyrical hero becomes a kind of focus of harmony, therefore it turns out to be alone. Perhaps the challenge in the poem "Nate!" - this is not so much a desire to convict, but a desire to draw attention to oneself, to be heard among millions of disunited people, to find people like the hero himself. The uniqueness of the whole poem is given as Mayakovsky's neologisms ( "poetically") and his unusual metaphors ( "hundred-headed louse").
Listen to Mayakovsky's poem Nate
The poem was written in 1913. Read the verse "Nate!" Mayakovsky Vladimir Vladimirovich can be found on the website. The work fully reflects the mindset of the Russian world of literature and art of the new 20th century. Various groups among artists, theatrical figures, and writers strive to declare a fresh word in art, trying and experimenting, looking for new creative ways of self-expression. Mayakovsky became one of the brightest figures of the era.
The author of the poem, unexpected in form, deliberately rude in content, in his address slaps the society, which, in its own opinion, has an undeniable taste, reserves the right to judge and evaluate the poet. The author of poetic lines throws down a daring challenge to gentlemen with "flabby fat", in galoshes and without, a lady with a face under a mask of thick whitewash, to everyone who considers himself a member of the world of bourgeois culture, arguing from the standpoint of established criteria of tearful sentimentality and obsequious prettiness of poetic art, called just be a treat to the ear. “Nate! - a kind of verbal rebellion of the poet, denouncing and protesting against the inertia of the small philistine world, compressed by the narrow framework of his own worldview. "Rough Hun", whose work is a fresh stream, a "clean lane" among the old, familiar poetic backyards. He is not afraid to enter the new age with new poetry, having opened his box with priceless gifts of words. As he is not afraid to shock the public or be rejected. Because he is always ready to respond to the attacks of the "brutal", "bristled" crowd and challenge her.
The work can be taught in an online literature lesson in the classroom. The text of Mayakovsky's poem "Nate!" can be downloaded in full from the site.
An hour from here to a clean lane
I am a wast and a spender of priceless words.
Here you are, man, you have cabbage in your mustache
All of you on the butterfly of a poetic heart
And if today I, a rude Hun,
I don’t want to grimace in front of you - and here
I will laugh and spit joyfully,
spit in your face
I am a priceless spender and spender of words.
The poem "Nate!" was written in 1913. In this work, the lyrical hero is completely alone. He is forced to be surrounded by "fat" inhabitants who do not care about poetry. This is one of the most sarcastic works of the poet.
The first stanza: the opposition of people and the lyrical hero
Analysis of the poem "Nate!" Mayakovsky shows that one of the main artistic techniques used by Mayakovsky in his work “Nate!” is the antithesis. Even the catchy title of the poem speaks volumes about its character. The lyrical hero in Mayakovsky's early work almost always opposes himself to the world around him. He tries to look at reality from the outside, and all that this look causes in him is horror. The lyrical hero is a romantic, and the flabby world is opposed to him. This is emphasized by the use of the pronouns "I" - "we", which are quite contrastingly contrasted in the structure of the work.
Features of the second stanza: unusual comparisons
Conducting a further analysis of the poem "Nate!" Mayakovsky, the student can talk about the content of the next stanza. It differs in that it describes not only the deafness of listeners to what the poet said. People are starting to change their appearance. For example, a man becomes like a pig because of his sloppy behavior, a woman looks like an oyster. Here you can see that behind these words, which at first glance seem like ordinary insults, is the poet's desire to point out the limitations of ordinary people. After all, the oyster always sits in its shell, and it cannot see what is happening outside its little world.
White, with which the heroine's face is densely covered, evokes associations with a doll. The woman does not hear what the lyrical hero is talking about. She looks like a doll with a beautiful appearance and a completely empty inner world.
Third stanza: confrontation between people and a lyrical hero
Further analysis of the poem "Nate!" Mayakovsky shows that here this opposition reaches its climax. The incorrect form used by Mayakovsky in the expression "the butterfly of the poet's heart" is intended to emphasize the vulnerability of poetry to the judgment of the crowd. Ozverev, she threatens to trample on the lyrical hero. In order to describe the crowd, Mayakovsky uses the epithet "dirty". The very image of a crowd of people is created by the poet with the help of just one detail - galoshes. With the help of this characteristic, the poet creates a rather mundane image.
Antithesis in the work
The city itself also opposes the lyrical hero, which is emphasized with the help of antonyms “clean” - “dirty”. This fact can also be indicated by analyzing the poem "Nate!" Mayakovsky. The alley is beautiful in the morning because it is clean. But gradually passers-by crawl out of their houses and begin to dirty it. Mayakovsky writes: “Your flabby fat will flow out over a person.” In this place, the poet uses the shocking method. This can also be indicated by conducting a brief analysis of the poem "Nate!" Mayakovsky according to plan. He wants to anger his reader, to shock him. At the same time, the poet wants to make you think about real values that cannot be replaced by external beauty.
Mayakovsky is annoyed by well-fed and self-satisfied people who are dressed up and painted. Indeed, under this decent appearance, as if behind a mask, vile and evil souls are hidden. Their internal state, unfortunately, cannot be replaced by appearance.
Every resident of the city lives, goes his own way. He does not care what the lyrical hero of the work thinks and feels. He gets overlooked by other people. Perhaps that is why the lyrical hero of Mayakovsky would like to hurt the inhabitants of the city as painfully as possible.
Fourth stanza: conflict resolution
Conducting a brief analysis of the poem "Nate!" V. V. Mayakovsky, the student can indicate: in this part there are five lines, and not four, as in the previous ones. The poet writes that if he wants, he will “spit in the face” of the crowd. And perhaps this is the only way to resolve the conflict between the poet and the crowd. The lyrical hero feels completely misunderstood and lonely.
In his work, Mayakovsky speaks of those values that belong to the highest order. This is the spiritual side of human life, happiness and sorrow. First of all, poetry is called upon to bring these values to life. Almost the entire arsenal of sublime artistic means turns out to be dedicated specifically to her (“verses of caskets”, “butterfly of a poetic heart”).
Analysis of the poem "Nate!" V. V. Mayakovsky: the poet and the crowd
Often, critics believed that Mayakovsky's early work was too selfish. But it is precisely the moment that Vladimir Vladimirovich opposed to society not himself as a single individual, but the type of poetic personality - any human being who is philosophically gifted. At the beginning of his work, the poet peers into the faces of passers-by, but then they all merge into one. When Mayakovsky speaks of a "going wild" crowd and a "hundred-headed louse," the reader may feel a reference to a particular literary tradition.
What can await the one who opposes himself to society
Analysis of the poem "Nate!" Vladimir Mayakovsky is one of the best examples of the poet's sarcastic creativity. However, such irony does not always lead to good things. A thoughtful reader may involuntarily recall the main character of the work "Crime and Punishment" by F. M. Dostoevsky, Raskolnikov. He divided all mankind into two types: “trembling creatures” and more worthy ones - “having the right”. For those who belong to the first category, life is destined for a miserable existence in the midst of everyday problems, endless fuss. And for others, the sea is knee-deep - for them there are absolutely no laws. And the reader from the work of Dostoevsky knows what such tendencies can lead to. But the position of "master of life" for many is too tempting.
In this respect, the poet becomes like Raskolnikov. He despises people as a miserable crowd; they appear to him malicious and utterly insignificant. On the other hand, the poet turns out to be very vulnerable - after all, his heart is comparable to a butterfly. In many works of Mayakovsky, the lyrical hero has the courage to challenge the crowd. However, in this poem he is seized by a feeling of a different kind - and it is rather horror.
An hour from here to a clean lane
your flabby fat will flow out over a person,
and I opened so many verses of caskets for you,
I am a wast and a spender of priceless words.
Here you are, man, you have cabbage in your mustache
Somewhere half-finished, half-eaten cabbage soup;
here you are, a woman, whitened thickly on you,
you look like an oyster from the shells of things.
All of you on the butterfly of a poetic heart
pile up, dirty, in galoshes and without galoshes.
The crowd will go wild, will rub,
bristle legs hundred-headed louse.
And if today I, a rude Hun,
I don’t want to grimace in front of you - and now
I will laugh and spit joyfully,
spit in your face
I am a priceless spender and spender.
Analysis of the poem "Nate!" Mayakovsky
The appearance of Mayakovsky in the Russian poetic society can be compared with the effect of an exploding bomb. At the beginning of the 20th century, many poets used non-standard images and techniques in their work. But it was Mayakovsky who acquired the most scandalous fame. In 1913, he wrote the poem "Nate!", Which became his program statement to the public.
At this time, the public performance of poets was very popular. This provided a way to earn money and gain fame for those who did not have the opportunity to publish their works. The speeches of novice authors sometimes took on the character of a humiliated request for handouts from a bored society. For wealthy listeners, this developed false conceit, they began to consider themselves true connoisseurs and connoisseurs of art.
Mayakovsky's contempt for bourgeois society is well known. It was further intensified due to the forced participation of the poet in such public readings. The poem "Nate!" became a sharp protest of the author, directed against those who perceived his work as just another entertainment. One can imagine the reaction of a person who first came to Mayakovsky's performance with this poem.
The aggressive style and content of the work should immediately cause a negative reaction in the listener. Mayakovsky declares that his poetic gift is wasted in front of "flabby fat". The author snatches from the crowd the characteristic male and female images, personifying all the abominations of society. The man has “cabbage in his mustache”, and the woman is not even visible because of the cosmetics and the abundance of items belonging to her. Nevertheless, these "subhumans" are respected and revered members of the human society.
The main way in which Mayakovsky describes the crowd is "a hundred-headed louse." Thanks to money, the human mass claims its rights to the personality of the poet. She believes that, having bought his time, she has the power to dispose of the talent at her discretion.
Mayakovsky goes against the rules of a decent society. He, like the "rough Hun", commits an individual rebellion. Instead of a decent admiration and antics of the poet, a spit flies in the face of the crowd. All the hatred accumulated by the author is concentrated in this spit.
The poem "Nate!" - one of the most powerful works of protest in Russian poetry. No one before Mayakovsky expressed such open contempt for his own listeners. In it one can see the germ of modern ultra-radical art.
Note: this verse is also called “Hate!”, which means “hatred” in English.
It would seem that Mayakovsky's poem "Nate" is only four stanzas, nineteen lines of text, but they can be used to make a full-fledged analysis of a work of art. Let's find out how to do it the right way.
Looking back
Today, when the works of Vladimir Vladimirovich are rightfully considered classics and are included in the school curriculum, we have the right to analyze his texts not only as literary critics, but also as psychologists.
In 1913, when the poem "Nate" was written, Mayakovsky celebrated only his twentieth birthday. His soul, like that of any talented young person, requires action, a reassessment of values by society, seeks to give everyone what they deserve, at least in verse. The poet calls himself violent, wild, which in reality should be considered not so much as physical aggression as verbal, directed against injustice. It is thanks to these qualities that the poet will be appreciated by the new government - not ideal, but new, and therefore sung by Mayakovsky.
Emptiness of the aristocracy
The poet is convinced that creativity is perceived by a layer of pseudo-aristocracy as a food product. They do not want to perceive the deep meaning and have one intention - to entertain themselves by listening to rhyming phrases. The author decides to speak directly, without hints, and does so throughout the years of work, this is also evident from the analysis of Mayakovsky's poem "Nate".
In the future, he will call himself a "proletarian poet", will sing of the development of technology and the movement of society towards a brighter future, while at the same time fighting those whose consciousness remained in Imperial Russia. Already in the early work, this struggle takes on a pronounced character.
Words and syllable
Mayakovsky's poems are a cry, these are words spoken into a mouthpiece. He speaks as if hammering nails: it is not for nothing that the whole stanzas of his works are one-word lines, tabulated for the reader to perceive rhythm and meter.
Mention in the analysis of Mayakovsky's poem "Nate" and the choice of words: "shells of things", "rude Hun", "flabby fat". Is such vocabulary typical of the poet? Why do you think he chose these words and not any others?
Pay attention to the phonetic component, rhymes. Mayakovsky often resorts to alliteration - the repetition of the same sets of consonants in different words. Moreover, the poet's manner of rhyming can be formalized in a separate way invented by him. The whole stanza, in his opinion, should look like a single one, and the words in it should be all interconnected not only by meaning, but also by phonetics.
Literary devices
Epithets and metaphors, exaggerations and understatements, aggressive sarcasm that takes the form of an accusation are characteristic of the author's work as a whole. An analysis of Mayakovsky's poem "Nate" provides examples of an uncompromising attitude towards the listener: "your flabby fat ...", "you ... perch, dirty ...", "I will spit in your face ...".
The purpose of such an appeal is not to offend, but to give thought, to tear a person out of the cozy world of consumption of the aesthetics of creativity and show the true meaning of poetry: to raise problems in order to solve them later; to focus public attention on sore spots, thus stepping on an old non-healing corn.
Defense of the poet
At the turn of the 19th and 20th centuries, the role of the poet acquired an entertaining character. If at the time of Pushkin, whose work Mayakovsky loved and appreciated, the poet occupied a somewhat privileged position in the public consciousness, then on the eve of the revolution he became an instrument of entertainment for the tavern public. The poet decides to get away from trying to revive the prestige of his profession "from a third person" and directly declares to the people listening to him about injustice. It should be mentioned in his work on the analysis of Mayakovsky's poem "Nate".
Effects
It is also worth studying a fragment of the poet's biography. How was the studied poem perceived by society? How did the authorities react, and was there any reaction at all? Did the work contribute to the promotion of Mayakovsky's work to the masses and why?
Teachers love it when pupils and students go beyond the required and recommended literature, turning to additional sources. Therefore, it will not be superfluous to show interest when performing the analysis of Mayakovsky's “Nate”, and the teacher will note this by raising the grade or turning a blind eye to minor flaws. Intention is commendable in itself, especially if students are not usually enthusiastic in class.
Conclusion
No matter how radical the proletarian poet's approach to persuading the masses and promoting his point of view on high-profile issues, the fact remains that his work had a significant impact on the formation of both the image of the new government and the futuristic trend in literature. The poem “Nate” by Mayakovsky is one of the first bells to the formation of an important figure in Russian culture, and every student should read his works (at least the most famous ones).
On the border of the 19th and 20th centuries, everything undergoes a change, and, of course, literature as well, and especially poetry.
Mayakovsky came at precisely this time with his changes in poetry. By nature, this person is very unusual, strong and a little rude. That is why not everyone can fall in love with his poetry. But all the same, in this poetry the most unusual feelings are hidden, which, in fact, not everyone, and even more so not Mayakovsky, can be characteristic of. But nevertheless, one of his poems of that time, which, to be more precise, was written in 1913, has undergone changes.
A poem called "Nate" was written, as mentioned above, in 1913 by Mayakovsky. This work belongs to the early work of Mayakovsky, since this poet was just beginning to form a worldview on life and literature at that time. It is not for nothing that critics call such a period of Mayakovsky's work quite rebellious, because he is a rebel by nature, not to mention his steps in writing his own poetry, with an unusual style of his work. Mayakovsky, unlike many other writers at the time, wrote in a very unusual way. After all, he did not devote too much time to the form and style of the work, he looked more at ensuring that the meaning and plot of the poem were colorful and understandable. That is why, his works are, where there is not always a rhyme in the lines of his works.
The most favorite technique in the works of Mayakovsky is the opposition of different moments or images in the work itself. It is with the unusual name of the poem that this work begins - Nate! This is, as it were, a challenge to the entire bourgeois society, since often it is they who see not the meaning and the hidden tender essence of the works, but only a shell and not only of his poetry, but of the rest as well. Mayakovsky thus shows his rebellious spirit, which has always hovered and still hovering in his works, which always gave them a special brilliance. This poet has the right to bear the name of a wonderful poet, writer and just a person who is always sincere and is not afraid to show his essence even in his works.
Analysis of the poem Nate! according to plan
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Each of us was brought up in childhood. And it is precisely the person who did this, most likely, that is the most dear and close to you. It doesn't matter if it was your relative, or just a hired person for your upbringing.
The poem "Nate!" was written in 1913. In this work, the lyrical hero is completely alone. He is forced to be surrounded by "fat" inhabitants who do not care about poetry. This is one of the most sarcastic works of the poet.
The first stanza: the opposition of people and the lyrical hero
Analysis of the poem "Nate!" Mayakovsky shows that one of the main artistic techniques used by Mayakovsky in his work “Nate!” is the antithesis. Even the catchy title of the poem speaks volumes about its character. The lyrical hero in Mayakovsky's early work almost always opposes himself to the world around him. He tries to look at reality from the outside, and all that this look causes in him is horror. The lyrical hero is a romantic, and the flabby world is opposed to him. This is emphasized by the use of the pronouns "I" - "we", which are quite contrastingly contrasted in the structure of the work.
Features of the second stanza: unusual comparisons
Conducting a further analysis of the poem "Nate!" Mayakovsky, the student can talk about the content of the next stanza. It differs in that it describes not only the deafness of listeners to what the poet said. People are starting to change their appearance. For example, a man becomes like a pig because of his sloppy behavior, a woman looks like an oyster. Here you can see that behind these words, which at first glance seem like ordinary insults, is the poet's desire to point out the limitations of ordinary people. After all, the oyster always sits in its shell, and it cannot see what is happening outside its little world.
White, with which the heroine's face is densely covered, evokes associations with a doll. The woman does not hear what the lyrical hero is talking about. She looks like a doll with a beautiful appearance and a completely empty inner world.
Third stanza: confrontation between people and a lyrical hero
Further analysis of the poem "Nate!" Mayakovsky shows that here this opposition reaches its climax. The incorrect form used by Mayakovsky in the expression "the butterfly of the poet's heart" is intended to emphasize the vulnerability of poetry to the judgment of the crowd. Ozverev, she threatens to trample on the lyrical hero. In order to describe the crowd, Mayakovsky uses the epithet "dirty". The very image of a crowd of people is created by the poet with the help of just one detail - galoshes. With the help of this characteristic, the poet creates a rather mundane image.
Antithesis in the work
The city itself also opposes the lyrical hero, which is emphasized with the help of antonyms “clean” - “dirty”. This fact can also be indicated by analyzing the poem "Nate!" Mayakovsky. The alley is beautiful in the morning because it is clean. But gradually passers-by crawl out of their houses and begin to dirty it. Mayakovsky writes: “Your flabby fat will flow out over a person.” In this place, the poet uses the shocking method. This can also be indicated by conducting a brief analysis of the poem "Nate!" Mayakovsky according to plan. He wants to anger his reader, to shock him. At the same time, the poet wants to make you think about real values that cannot be replaced by external beauty.
Mayakovsky is annoyed by well-fed and self-satisfied people who are dressed up and painted. Indeed, under this decent appearance, as if behind a mask, vile and evil souls are hidden. Their internal state, unfortunately, cannot be replaced by appearance.
Every resident of the city lives, goes his own way. He does not care what the lyrical hero of the work thinks and feels. He gets overlooked by other people. Perhaps that is why the lyrical hero of Mayakovsky would like to hurt the inhabitants of the city as painfully as possible.
Fourth stanza: conflict resolution
Conducting a brief analysis of the poem "Nate!" V. V. Mayakovsky, the student can indicate: in this part there are five lines, and not four, as in the previous ones. The poet writes that if he wants, he will “spit in the face” of the crowd. And perhaps this is the only way to resolve the conflict between the poet and the crowd. The lyrical hero feels completely misunderstood and lonely.
In his work, Mayakovsky speaks of those values that belong to the highest order. This is the spiritual side of human life, happiness and sorrow. First of all, poetry is called upon to bring these values to life. Almost the entire arsenal of sublime artistic means turns out to be dedicated specifically to her (“verses of caskets”, “butterfly of a poetic heart”).
Analysis of the poem "Nate!" V. V. Mayakovsky: the poet and the crowd
Often, critics believed that Mayakovsky's early work was too selfish. But it is precisely the moment that Vladimir Vladimirovich opposed to society not himself as a single individual, but the type of poetic personality - any human being who is philosophically gifted. At the beginning of his work, the poet peers into the faces of passers-by, but then they all merge into one. When Mayakovsky speaks of a "going wild" crowd and a "hundred-headed louse," the reader may feel a reference to a particular literary tradition.
What can await the one who opposes himself to society
Analysis of the poem "Nate!" Vladimir Mayakovsky is one of the best examples of the poet's sarcastic creativity. However, such irony does not always lead to good things. A thoughtful reader may involuntarily recall the main character of the work "Crime and Punishment" by F. M. Dostoevsky, Raskolnikov. He divided all mankind into two types: “trembling creatures” and more worthy ones - “having the right”. For those who belong to the first category, life is destined for a miserable existence in the midst of everyday problems, endless fuss. And for others, the sea is knee-deep - for them there are absolutely no laws. And the reader from the work of Dostoevsky knows what such tendencies can lead to. But the position of "master of life" for many is too tempting.
In this respect, the poet becomes like Raskolnikov. He despises people as a miserable crowd; they appear to him malicious and utterly insignificant. On the other hand, the poet turns out to be very vulnerable - after all, his heart is comparable to a butterfly. In many works of Mayakovsky, the lyrical hero has the courage to challenge the crowd. However, in this poem he is seized by a feeling of a different kind - and it is rather horror.
Analysis of the poem by Nate Mayakovsky according to plan
1. History of creation. The poem "Nate" (1913) is an open challenge by V. Mayakovsky to the assembled public. At the beginning of his literary career, the poet often had to perform in restaurants, cabarets, and cafes.
Mayakovsky frankly despised well-fed and contented townsfolk. But performances brought income and fame. The famous futurist was distinguished by his outrageous and impudent behavior.
"Nate!" - a vivid example, written by the poet specifically for a performance at the opening of the Pink Lantern cabaret. After reading the poem, the atmosphere became so tense that the police had to be called.
2. Genre of the work. In the classical sense, "Nate!" - a lyric poem. But Mayakovsky's work is so original that it would be more appropriate to call the work a challenge, a denunciation, a "spit" in the direction of "good society."
3. Main theme poems - the opposition of the poet and the crowd. This theme began to be developed in Russian poetry by A. S. Pushkin. But in the work of Mayakovsky, it acquires a completely different sound. The beginning of the 20th century was marked by significant changes in the cultural life of the whole world. The generally recognized authorities were overthrown, new styles and directions arose.
In Russia, one of the most radical trends in literature has become futurism, which completely rejects the "old" art. The main distinguishing feature of the poem "Nate!" - use of rude, obscene language. Mayakovsky deliberately goes into conflict, causing the anger of the crowd. He seeks to cause confusion and horror in the public.
From the first stanza, the author sharply separates himself ("the priceless words wast and spender") from the gathered "flabby fat". Mayakovsky is disgusted to reveal his talent to people who are fed up with food and entertainment. At that time in Russia, few could afford to visit restaurants and cabarets. They gathered predominantly a dark audience, earning money in an unclean way.
Mayakovsky hated the bourgeois way of life. His accusations are directed against gluttony ("cabbage in the mustache"), artificial beauty ("thick white") and thoughtless automatic money-grubbing ("look ... from the shells of things"). The third stanza is even more offensive: the "butterfly of the poet's heart" is contrasted with the "hundred-headed louse" of the crowd. One can only speculate about the reaction of the public to these lines. In the final stanza, Mayakovsky declares his creative freedom and independence. Calling himself a "rude Hun," he claims he can stop his performance at any time. His work is not a commodity. Instead of poems, the crowd may receive a spit in the face from the poet.
4. Composition of the work- partially circular. In the first and last stanzas, the definition given by the poet to himself is repeated - "the priceless words wast and spender."
5. The size of the poem non-traditional, bringing it closer to oral speech. Rhyme cross.
6. Expressive means. Epithets emphasize the poet's disgust at the sight of the crowd: "flabby", "dirty", "hundred-headed". The young futurist uses original metaphors ("verses of caskets", "oyster from the shells of things") and contrasts ("clean alley" - "flabby fat"). Comparing himself with a "rude Hun", the author makes it clear that his goal is the complete destruction of the old society.
7. Main idea works - the poet does not depend on the desires of the crowd. He may, out of necessity, "sell" his works, but his soul and convictions cannot be bought. The poet must always boldly express his views, even if it threatens him with punishment or reprisal.
Mayakovsky V.V. "NATE!"
Literary block.
The early period of the poet's work is represented by many discoveries in the field of versification. Almost immediately abandoning attempts at literary imitation, M. literally burst into Russian poetry of the early twentieth century - poetry, where such luminaries as A. Blok, A. Bely, Gumilyov N., Akhmatova A., Bryusov rightfully shone. His poems were strikingly different from what was considered to be good poetry, but he quickly entered into force and asserted his creative individuality, the right to be Mayakovsky. His dawn, according to A. Akhmatova, was stormy: Denying "classical boredom", the poet offered a new, revolutionary art, and in his own person - his representative. Undoubtedly, much in Mayakovsky's early work is associated with such an artistic movement as futurism, but at the same time, the ideas and poetic means of their embodiment in the author's works were much wider than traditional futuristic settings. The originality of M.'s early lyrics is primarily due to his personality, his bright talent, his views and beliefs.
"Nate!" the first of M.'s verses on the theme of the poet and the crowd appeared only a year after the start of his professional literary activity. It was first read at the opening of the literary cabaret "Pink Lantern" on October 19, 1913. M. in it anticipates the reaction of a respectable audience to his performance.
In "Nate!" the antagonistic contradiction between M. and the then audience - the bourgeois "crowd" is artistically reflected. As a result of separation from the revolutionary milieu, the poet actually remains face to face with this ideologically alien and hostile bourgeois "crowd". In "Nata!" M. speaks to the "crowd" no longer on behalf of the Cubo-Futurists, as was the case in his polemical reports and lectures, but on his own behalf. He directly expresses his attitude towards her - the 2nd stanza. M.'s goal was achieved: reading "Nate!" at the opening of the literary cabaret "Pink Lantern" (see above) in front of the public, to which this poem is directly addressed, literally infuriated her.
The title of the work already cuts the ear, it expresses the indignation of the creator, whom the spoiled public takes for a slave, ready to fulfill any of her desires. But the hero of the poem - the poet - wants to serve art, and not this crowd that burns through life. The title is emotionally charged and evokes (probably not every reader) a certain range of defiant gestures. Using the dictionary of V. Dahl, we can clarify the first impression: ““Nate” - pl. from on - command. here, take it, take it.Here you go, let go". As you can see, the first impression is confirmed. So already from the first word a special colloquial, emphatically reduced style of the poem is formed. Why? Otherwise, the addressee will not understand? There is a conflict at different levels, including the language level.
Obviously, the opposition of the lyrical hero, the poet - "I" - and the crowd - "you". "I -I have opened so many poems-caskets, priceless words wast and spender", the poet has a butterfly heart and at the same time he is a rude Hun, a jester, a comedian, grimacing in front of the crowd and challenging it. Even at the phonetic level, the opposition between the poet and the crowd is obvious: in the first two lines, the sound “h”, hissing “zh”, “sh”, whistling “s” and deaf “t”, “p”, “k” are persistently repeated. The alternation of these sounds, when carefully read, creates the impression of something flowing, flowing, snaking, slowly flowing “flabby fat”. In the third and fourth lines, the sound “h” disappears, and the alternation of the same consonants in a different order and the predominance of voiced consonants in the last line evoke the feeling of endless jewels pouring from the caskets - “priceless words”.
Thus, in the first quatrain, real, spiritual treasures are contrasted with false values: “... and I have opened so many verses of caskets to you, / / I am priceless words and a spender.” The most valuable things are stored in boxes. The poet is ready to generously distribute his wealth, but he knows that in response his heart, tender as a butterfly, will be subjected to rude aggression. The butterfly flies, they walk on the dirty ground with their feet, hence the opposition of the third stanza, ending with the collective image of a crawling unclean insect, small and yet capable of "brutalizing" - the 3rd stanza.
Now the crowd of M. is not faceless, the eerie faces of a man with a cabbage in his mustache and an oyster woman protruding from the shell of things look out of it. But both metaphors are imbued with a sharp rejection on the part of the poet, malicious irony, mockery. Lack of spirituality becomes common for “you”. The image of the crowd in these poems is closely connected with the motif of food, gluttony, oversaturation.
With disgust, the hero describes the representatives of this world:
Here you are, man, you have cabbage in your mustache / somewhere half-eaten, half-eaten cabbage soup; / here you are, woman, thick whitewashed on you, / you look like an oyster from the shells of things.The audience is all material. The man looks like a piece of “flabby fat” from the second line of the verse-i, which “flows out over the person” - people will come out one by one. That is, all the place and make up "fat", they will be stained with a "clean lane". A mustache stained with cabbage soup is an image that materializes the metaphor implied in the definition of “pure”, outwardly neutral, but in a poetic context it turns into an epithet. The doubling of the food motif is intended to explain "fat"; moreover, in his own perception, a man “eats”, but for M., of course, he “eats”. To look like an oyster means to have an extremely limited outlook. The woman herself is almost invisible behind her outfits (“shells of things”) and immoderate cosmetics, reminiscent of whitewash (which are by no means painted on human faces). Indirectly, the comparison continues the original motif: oysters are a delicacy of the rich, fat men consume women in the same way as food.
For a hundred-headed, like the most terrible monsters of myths, an insect, a poet is an uncivilized person, a "rude Hun." He accepts this attitude towards himself and is ready to behave accordingly, “not to grimace”, but to be completely consistent in his contempt for the crowd:“... I will laugh and spit joyfully, / / I will spit in your face / I am a spender and spender of priceless words”. The repetition of the first stanza's self-determination in essence, contrary to his supposed behavior, refutes the poet's agreement to be considered a "rude Hun". The Hun does not have priceless words, especially since he does not squander them. “The rude Hun,” writes the researcher Pitskel F.N., talking about the hero M., “is, as it were, his second, forced and caused by circumstances incarnation, but a more organic state for him, the essence of which is expressively conveyed by the metaphor of the “butterfly of the poetic heart” . The poet, the owner of a tender and vulnerable soul, a "butterfly" heart, must be strong in order to withstand the pressure of the brutalized crowd. And Mayakovsky strives to prove his ability to be strong: "and now I will laugh and joyfully spit, spit in your face ...".
Verse "Nate!" written in accent verse, but its connection with classical poetics has not yet been broken. The composition is circular. This is a rare case when the artistic time of a work is not the past, as usual in the epic, and not the present, as is predominantly the case in lyrics, but the future, but not distant - M. tells about what will happen "in an hour", although as if directly addressing those who have not heard his poems (the addressee is “you”, the expected public). “In an hour, your flabby fat will flow out of here into a clean alley over a person ...”. The second quatrain represents the listeners already in place, here the time is present, but, of course, also imaginary:/ Here you are, a man, you have cabbage in your mustache / somewhere half-eaten, half-eaten cabbage soup; / here you are, a woman, thick whitewashed on you, / you look like an oyster from the shells of things.
Rhymes are natural. Of all the rhymes, only one is inaccurate: hearts rub, but it is also the most refined (the sound R after the stressed vowel in the first word and before it in the second, but it still participates in consonance), the verse-e has not yet been broken either by a column or all the more so with vocabulary (since verse-e refers to early lyrics), except for the last, drawn-out one: the pause created here again sharply contrasts “you / me” in the finale.
In addition, there is another feature of M.'s early lyrics - egocentrism, "I", (1st and 4th stanza) on which the existence of the whole world depends. In this emphasized egocentrism, inherent in M.'s poetry, there is a propensity for public outrageousness. (For example, the infamous "I love to watch children die"). In early lyrics, M. pays tribute to experimentation, the search for new forms, and word creation. And you need to be able to see the deep meaning of the text behind the abundance of complex metaphors, hyperboles, neologisms, unusual syntactic constructions. The poet offers us his vision of the world and his ways of its embodiment. Rejecting the traditional forms of poetry, M. doomed himself to the difficult fate of the experimenter, a man who will not be understood by many.
M.'s creative debut was directly connected with the artistic practice and performances of Russian futurists. Like any great artist, he came to art with a claim of a new vision. Moreover, the application was demonstrative, and the thirst for the unknown, outrageous, in a boyish way. At the same time, one should not forget that at first M. asserted himself in the group of futurists. M. gives an additional opportunity and the need to widely present Russian futurism as a significant and complex phenomenon. Overcoming the harmony and psychologism of the previous literature, the futurists deliberately “delimited” phenomena, depriving the perception of automatism: they introduced new themes, loosened syntax and crushed rhythms, mixed the tragic and the comic, lyrics, epic and drama, enthusiastically engaged in the search for a tangible word. Futurism M. is not limited to the creation of forms. In addition to the desire to master the skill, it included atheism, and internationalism, and anti-bourgeoisness, and revolutionaryism. In the early articles of the poet, it is repeatedly said about the end in itself of the word, but it is also stated there: “we need the word for life. We do not recognize useless art." The futurism of M. is an experience not so much of self-valuable creativity as a fact of life-creation.
Methodical block.
1. The lesson is focused on grade 11 according to the programs of Kurdyumova, Korovin,
Kutuzov. The lesson is 1 hour.
Lesson genre - research lesson, practical lesson, commentary lesson, group analysis lesson
2. Questions for primary perception: Why is the verse called “Nate!”? to whom is it addressed? Did you like it, than? Which images impressed you the most and why? Why the lir.subject and the crowd are opposed to each other.
3. Methods of work in the lesson: a heuristic method using the following techniques: 1. Teaching students the analysis of a lyrical work, images of heroes, language, composition of the work.2. Statement of a system of questions, and the answer to each question logically implies a transition to the next question or the corresponding tasks; 3. independent search by students of a significant problem for analysis, try to answer questions, solve problems. Methods of working with text: structural-semiotic. Questions: what do you know about the personality of V.V. Mayakovsky? What literary movement did he belong to? What is futurism? What are his artistic principles? One of the early verses of the th author is “Nate!”. Why is the verse called that? To whom is it addressed? What do you think, what communicative setting was pursued by the author? What is hidden in these lines? How do you see this picture? By what means is it created? What is the mechanism for creating an image? What can you say about the lyrical hero? Which lines characterize the lyrical hero, and which represent those whom the hero challenges? What qualities are shown in this text? What metaphor helps to present the world of the lyrical hero? How are the values of the hero and the crowd shown? Why is verse organized so graphically?
Final stage: answer the following questions in writing: (optional): the basic principles of patriotic futurism2. Tell us about the perception of defiant behavior and creativity of futurists by contemporaries. Share your own impressions.3. Compare M. with Khlebnikov and Severyanin - what do you see as the originality of his futurism? Pay attention to the clarity of his images, the features of the metaphorical series and the construction of works. To teach the analysis of a lyrical work, you can use logical schemes - plans. Such schemes can be offered to students ready-made, made by the teacher, they can be compiled together with students in the process of analyzing the work, you can ask children to make such schemes on their own.
When studying the early lyrics of V.V. Mayakovsky, you can draw up diagrams together with students. As a basis, one can take the thesis that characterizes the early period of the poet's work - the opposition of the lyrical hero and the world around him, the outrageous behavior of the hero, his loneliness. The scheme will consist of two parts: in the first part, the characterization of the lyrical hero is given, in the second, those whom the hero challenges are presented. Task for students: to collect material to characterize both images:
Students will easily find the right words in the poem, it will be more difficult to give a deeper assessment of the lyrical hero. It is the logical scheme that will help children draw their own conclusions. Metaphor (the butterfly of a poetic heart) will help to imagine the world of a lyrical hero. This world is fragile, unprotected, the poet is vulnerable, painfully sensitive, and the crowd around him is unceremonious, rude, indifferent, spiritually poor. This helps to understand the caustic comparisons, epithets, metonymy, hyperbole found in the text; the work is drawn up again using the scheme. As a result of such work, students understand why the hero puts on a mask. We also analyze the behavior of the hero in the mask, building a certain scheme: