School studio Moscow Art Theater performances. How to enter the Moscow Art Theater School at the acting department? Directions of educational activity Schools - studios

The Moscow Art Theater offers preparatory courses for acting, production and the department of scenography and theater technology. To enroll in theater courses in Moscow at the Moscow Art Theater for the acting department, you should apply in September every year on Sundays at 11-00. To enroll in theater courses in Moscow at the Moscow Art Theater Theater, you should have a passport, a 3x4 photo and money with you. The teachers set the goal of the courses to prepare applicants for entrance exams for professional suitability for acting.

Training will begin in October and it will be possible to choose the form of training: morning or evening group. Classes will be held on weekends. Those wishing to enroll in acting courses should read a fable, a poem, a prose passage.

The courses of the Producer Faculty last 2 months and upon completion of them, graduates receive a certificate indicating their qualification as a producer of the performing arts. Registration for the courses of the Moscow Art Theater School in December, classes are held 2 times a week from February to March and from April to May in two streams. The task of the courses is also to prepare for the entrance exam for professional suitability and belonging to the future specialty.

Announces recruitment for preparatory courses in order to prepare for entrance exams and tests for creative and professional orientation in the specialty "Scenography" and "Technology of artistic design of the performance" and the faculty of scenography and theater technology. Training starts in November.

Acting courses at the Moscow Art Theater - training program

The preparatory theater courses of the Moscow Art Theater provide applicants with theoretical knowledge and practical skills that will help them successfully pass the entrance exams and get acquainted with future professions. All classes are conducted by teachers of the theater faculty.

For example, in the program preparatory courses"Scenography and theater technologies" includes such disciplines as:

1. Introduction to the specialty
2. Fundamentals of theatrical composition
3. Basics of drawing
4. Layout Basics
5. Drawing and painting
6. History of Fine Arts
7. History of theatrical and decorative art

Theater acting courses in Moscow at the Moscow Art Theater help the applicant not only understand the essence of the acting profession and test themselves for the prerequisites for a successful acting profession, but also prepare for entrance exams, select material to read before the selection committee, understand what she pays attention to first turn.

We can say that theater courses in Moscow at the Moscow Art Theater are also the first stage experience, the development of speech and voice, stage movement, the acquisition of confidence and emancipation for working with the audience.

What is the best acting class for teenagers, you ask? Of course, the one where experienced teachers, a favorable atmosphere for revealing their personal "secrets" and feelings, an interesting presentation of information, an individual approach, the studio's focus on the result of its students.

The standard period of study is 4 years.
Form of education full-time.
Admission targets (budget places): main places 14, admission quota for persons with special rights - 2.
Under contracts with payment of tuition fees (paid places) - 16.
Artistic director of the course – Ryzhakov Viktor Anatolyevich, professor, Honored Art Worker of the Russian Federation.
Prior to the start of the entrance examinations, applicants must pass three-round qualifying auditions. For qualifying auditions, it is necessary to prepare a program: 3 excerpts from prose, 3-4 poems, 3 fables.
The first rounds of qualifying auditions are held:
in April – on Sundays April 5, 12, 19, 26, 2020;
May Sundays 3, 10, 17, 24, 31 May 2020;
in June on Mondays, Wednesdays and Fridays throughout the month.
Registration for qualifying auditions is carried out in the form of electronic registration from March 15, 2020. The procedure for registering applicants. Applicants who received negative result based on the results of qualifying auditions in the first, second or third rounds, for re-audition not allowed.
Second and third rounds qualifying auditions are held in June, according to the schedule approved by the Admissions Committee. The schedule will be posted on the website of the Moscow Art Theater School in April 2020.
Applicants who passed three rounds of qualifying auditions are eligible for entrance examinations. Before the entrance examinations, applicants are submitted to admission committee the following documents:
a) statement (in the application it is necessary to accurately indicate the received USE scores in Russian language and literature);
b) identity and citizenship document (passport);
c) a document on education or on education and qualifications;
d) six photographs (3x4).
USE results are valid for 2020, 2019, 2018, 2017, 2016 gg.
Acceptance of documents from June 17 to July 7, 2020 from Monday to Friday from 10.00 to 18.00 (July 7, documents will be accepted from 10.00 to 16.00) at the address: Moscow, Kamergersky lane, building 1, 3rd floor, office 3-4.
Entrance examinations are held from July 01, 2020, as groups are formed from among the persons who have submitted the necessary documents.

List of entrance tests:

1. Creative test:
execution literary works: reading by heart a poem, a fable, an excerpt from prose (prepare several works of a different genre).

2. Professional test:
verification of voice and speech: the presence of a healthy voice, the absence of organic speech defects, clarity of diction is established;
checking musical data: performing exercises on the instructions of the examiner to check the musical rhythm, performing a song of your choice;
checking plastic data: performing exercises on the instructions of the examiner to check plasticity, coordination of movements, performing a dance of your choice.
Exam results are evaluated on a 100-point scale.
The minimum score for budget places is 50.
The minimum score for paid places is 50.
3. Russian language USE
The minimum score is 56.
4. Literature USE
The minimum score is 45.

Programs of entrance examinations, criteria and scale of assessment are published in the section Programs of entrance examinations

Nonresident students are provided with a hostel for the duration of their studies.
Hostel at the time of admission is not provided.

Moscow Art Theater School: admission rules, requirements for applicants, required documents, program, list of required literature, tuition fees, contacts

About the Moscow Art Theater School School-studio named after Vl.I. Nemirovich Danchenko at the Moscow Art Academic Theater named after A.P. Chekhov. Opened in 1943 on the initiative of Vl.I. Nemirovich-Danchenko. In the summer of 1943, the first competition for the Moscow Art Theater School took place in the theater. The examiners were Moskvin, Kachalov, Knipper-Chekhova. The official opening of the school took place October 20, 1943.

The basis of teaching was the Stanislavsky system, designed to instill in the actor a sense of organic truth, inspired creativity in order to instill in him the sharpest sense of living life on stage.

AT 1956 students and graduates of the Moscow Art Theater School, inspired by the idea of ​​"live theater", formed the Sovremennik Theater. His first performances were rehearsed in the auditoriums of the Studio School.

AT 2008 within the framework of the Moscow Art Theater School, Kirill Serebrennikov formed an experimental acting and directing course. By 2012, the Seventh Studio was formed from this course, which then became a resident of the Gogol Center.

Moscow Art Theater School, faculties: acting, scenography and theater technology, producer.

Moscow Art Theater School-Studio Acting Department. The Acting Department of the Moscow Art Theater School-Studio prepares students in the specialty "acting art" and specializations "Drama theater and cinema artist". The term of study at the acting department is 4 years with full-time education.

Education at the acting department of the Moscow Art Theater School-Studio can take place on a budgetary and commercial basis, depending on the results of entrance examinations.

Moscow Art Theater School, international relations: international exchange is supported, students from the USA, Sweden, France, Germany, Italy, Great Britain, Norway, Poland, Latvia, Estonia, Ukraine, Belarus, Kazakhstan, Lithuania, Armenia, Azerbaijan, Turkmenistan study at the institute.

Famous actors who graduated from the Moscow Art Theater School: Oleg Tabakov, Oleg Efremov, Vladimir Vysotsky, Daniil Strakhov, Sergey Bezrukov, Andrey Myagkov, Oleg Basilashvili, Maxim Matveev, Igor Vernik, Tatyana Lavrova, Galina Volchek, Igor Kvasha, Lev Durov, Leonid Bronevoy, Valentin Gaft, Mikhail Efremov, Andrey Panin , Vladimir Mashkov,

Rules for admission to the acting department of the Moscow Art Theater School:

Requirements of the Moscow Art Theater School-Studio for applicants: completed secondary education, age up to 20-22 years.

Admission to the Moscow Art Theater School is underway in 4 stages: qualifying round, practical exam on the skill of the artist, oral colloquium and presentation of the results of the Unified State Examination in Russian and Literature

1. Selection consultations (rounds) and creative competition. Selection rounds are held in May and June. It is necessary to pass 3 rounds of qualifying auditions to the Moscow Art Theater School. Auditions involve memorizing the program: 3 prose passages, 3-4 poems and 3-4 fables. The creative competition takes place after the qualifying rounds and involves checking the plastic, musical and speech data (the presence of a healthy voice, the absence of organic speech defects, the clarity of diction is established).

Applicants who have passed the qualifying round are admitted to the stage of entrance examinations:

2. Itour. Mastery (practical exam). Evaluated on a 100-point scale .. Involves reading by heart poems, fables (required by I.A. Krylova),

Consists of two sections:

• performance of the reader's program from literary works: poems, fables, prose passages. It is necessary to prepare several works of each genre.
• voice and speech testing. The test is carried out by stage speech teachers with the participation of a speech therapist and a phoniatrist, the presence of a healthy voice, the absence of organic speech defects, and the clarity of diction are established.

Additional entrance test "Singing and dancing". Evaluated on a 100-point scale. Consists of two sections:

• checking music data. It involves the performance by the applicant of a song of his choice, exercises to check musical rhythm, playing musical instruments is allowed
• verification of plastic data. It involves the performance by the applicant of a dance of his choice, participation in the performance of special exercises to test plasticity, coordination of movements.

3. USE results in Russian and USE results in literature for students of the 2013-2014 graduation.

If you have higher education, graduated from a secondary educational institution (school) before 2009, if you have a secondary vocational education in the specialty of admission or citizenship of the countries of the Near Abroad, the applicant does not need the results of the Unified State Examination. In this case, in addition to paragraphs 2 and 3, he takes general education exams at the Moscow Art Theater School: Russian language and literature.

List of documents to the Admissions Committee of the Moscow Art Theater School for full-time applicants of the acting department of the Moscow Art Theater School:

1. Application addressed to the rector (according to a single form);
2. Certificates of the results of the Unified State Examination in the Russian language and literature or their copies, certified in the prescribed manner (before enrollment, they must be replaced with originals). Persons who successfully passed the entrance exams, but who, for objective reasons, did not have the opportunity to participate in the Unified State Examination during the period of the final certification, can take the Unified State Examination after the end of the entrance exams in the direction of the University, in July of this year. They will be credited after the presentation of the certificate;
3. Certificate or diploma (original);
4. 6 photographs 3x4 cm (images without headgear);
5. Medical certificate (form 086/y) dated the current year;
6. Passport and its photocopy (presented in person);
7. Young men present a military ID or registration certificate and hand over copies of these documents.

Applicants who did not pass the competition, by decision of the Examination Commission, may be offered paid training. If the applicant has a diploma of higher education, according to the Law of the Russian Federation "On Education", training is possible only on a commercial basis.

- prestigious theater educational institution recently celebrated its 70th anniversary. During this time, several thousand first-class specialists have emerged from its walls - talented actors, directors, producers. What are such names as Leonid Bronevoi, Alexei Batalov, Galina Volchek, Oleg Tabakov, Tatyana Doronina, Nikolai Karachentsov, Evgeny Mironov ...

was created on the initiative of V.I. Nemirovich-Danchenko and still bears his name. Education here is carried out in four specialties: acting, scenography, technology of artistic design of the performance and production. Graduates MKhAT studio schools work in the best theaters in Russia.

For those who cannot imagine their life without theater and dream of devoting themselves to the stage, admission to Moscow Art Theater School can become the very starting point from which a person's life in art begins.

Of course, the number of applicants is many times higher than the target figures for admission to all faculties. Only the most talented and worthy guys from among those who not only want to be an actor, but are eager to develop and improve themselves, comprehend the secrets of art, hone their skills and abilities, get into the number of students.

To get into Moscow Art Theater School, it's not enough just to come to the audition and read your program. Entrance examinations should be preceded by a long preparation and work on oneself. The applicant must be relaxed, expressive, erudite, must know the basic acting terminology, be familiar with the history of the theater, have an idea about books that tell about the profession of an actor. Anyone who is going to enter the acting department must be able to control his voice and body well, be flexible, strong and plastic, have good coordination of movements, have clear diction, and correct pronunciation. The applicant's voice must be well-set, deep and pleasant, and most importantly, it must express emotions.

All of the above requirements are not overstated or unattainable. Compliance with them can be achieved by devoting a sufficient amount of time and effort to working on yourself. If you can get acquainted with the work of great actors and directors on your own, then for everything else you will need a teacher who will supervise your classes.

Now there are many theater studios preparing children for. Each of the studios has its own leader, and, accordingly, its own teaching staff and methods of work. The theater studio has a great advantage over classes with a private teacher. Group classes contribute to emancipation, develop a sense of partnership. In addition, in the theater studios, classes are held in several disciplines at once, which allows the guys to work in several directions at once.

Theater Studio Square- a place with more than forty years of history. This acting school aims at pre-professional training of boys and girls for acting. This is where the kids learn acting skills, stage speech, stage movement and choreography, develop comprehensively, take their first steps on the stage, participate in the production of performances of all genres - from New Year's fairy tales to Shakespeare's tragedies. Having been trained in studio theater Square, the most motivated students easily enter theater universities, including the Moscow Art Theater School.

Wonderman

The last performance of the past year for us was "The Wonder Man", played by students of the 4th acting course of Sergei Zemtsov and Igor Zolotovitsky at the Moscow Art Theater Educational Theater Studio
The performance is a holiday, the performance is the birth of a miracle and happiness. What young and beautiful people did in an hour and a half can be called a miracle. It seemed that we were witnessing a complete improvisation, the guys created so naturally and easily - they sang, fooled around, tumbled and danced, and also sad. They told us a story about the life of the great children's writer Korney Ivanovich Chukovsky. And a miracle happened - despite the fact that, of course, he was not on stage, and even especially none of the artists portrayed him (well, except that one actor dressed the Mohawk), and Chukovsky's presence was felt very strongly. As if he blessed the performance.
And all because the spirit of childhood, fooling around, inventing all sorts of pranks reigned on the stage.
What the guys did on stage is beyond description, it must be seen and heard. Unique rock operas / musicals / or whatever else you can call these musical "Fedorino Gore" and "Barmaley". Unspeakable delight and feeling of happiness! Is it really possible to beat it? And yet, yes! It's great!
There was a very warm attitude towards the hero, bordering on love and adoration. And you can’t help but adore this big, bear-like child)
I personally was overwhelmed with delight and a feeling of warm happiness from the fact that this could really be a coincidence, a fall, a return to childhood? Here we are, who have lived for half a century, and they are practically our children, but we breathe, laugh and cry the same way. How is this possible? It was the genius of Chukovsky that united us. Yes, yes, we ourselves read to our children his "Fly-sokotukha", "Aibolit", "Moydodyr", "Bibigon". What about Phone? My daughter read this fairy tale by heart, my love for hippos came from there, and Nastya recited "save, save!

Friends, I highly recommend going to the play "Wonder Man" at the Moscow Art Theater School. Emotions of happiness will be absolutely! Tickets, by the way, are very affordable. You can learn about the repertoire and news of the Moscow Art Theater School in social networks: on Facebook and VKontakte
My husband, a man of few words)) here is his resume "What a great fellow! I am amazed and surprised! Young talented guys. How original, musically and rhythmically they showed inner world Korney Chukovsky, it seemed to me that he looked like Peter Pan. I recommend going to the theater-studio of the Moscow Art Theater of Chekhov, to the production of the Miracle Chudo Man.

Suicide. Moscow Art Theater School

I have already seen the guys playing in "Suicide" - I watched "Wonder Man" (by the way, thanks to the LJ community moskva_lublu and the Moscow Art Theater School for the invitation to both performances).
Already from the first time it became clear which of them was who ... only in the program of the Chukovo performance of the performance, the students were a list. Now the impressions about the young artists, in general, have been confirmed ... and they are named in the program by name (and this is good, because I know who should be tracked later).

Statements that, they say, “we are young, inexperienced, have the right to screw up and fall short” should not take place. For - on this same Moscow Art Theater site, I didn’t see anyone and everything - and I remember something very clearly after many years, it was such a magnificent impression. Yes, and these guys from the course of I. Zolotovitsky and S. Zemtsov are very good.
But "they do not spare themselves, they spend one hundred percent" - this is how it should be. When else to spend, if not at a young age, when you recover quickly, and it is necessary to show yourself to the fullest, because for many, further life and fate depend on these shows.

Well, I will write objectively about yesterday's performance. I liked something, something ... sorry, it didn’t fit at all.

"Suicide" I know well - and read and watched repeatedly.
By the way, I remember how Yuri Petrovich Lyubimov, at the rehearsal of the performance, spoke about the need for a clear and distinct presentation of the text of Nikolai Erdman to the public, because (he insisted) every word in it is brilliant.
Therefore, the “blurred” pronunciation of the text of the first scene seemed not entirely correct - it is about a horse and an ant, and about the color of bread, and about starvation tete-a-tete under one blanket ... But that's okay: the beginning, it will turn out further - all the more, that the polyphony of this "tete-a-tete" is justified: the action can take place not only in the Podsekalnikovs' room, but, in fact, in any room of any family...

Then the young actors played cheerfully and loudly, with a lot of inventions, and I liked almost all of them ... And I thought about the performance: they say, nothing, nothing, by the final they simply have to taxi to the drama, but such that it will take your breath away ...

We taxied towards the end of the first act, in the filming scene. Yes, so gracefully that I forgave the loss of large pieces of text (GE-NI-AL-NO-GO!!!).
Podsekalnikov (Dm. Sumin) speaks his monologue about a tick and so, about a soul flying out of a cage to a non-deaf-mute person. There are a lot of people around who can hear quite well ... and who don’t hear anything, because they don’t want to hear: what do they care about a suffering individual, when they have to pant, do small deeds ... and at least shoot yourself.

Here it is!
Wonderful!
Looking forward to post-intermission...

I enjoy watching the scene in the restaurant.
Although frankly I don’t understand the transfer of characters’ phrases from one actor to another, despite the fact that the program highlights, say, Father Elpidy, who is identified only by a pseudo-priest’s long skirt (and by no means monologues).
I am also perplexed at the translation into pseudo-Ukrainian Volyapyuk of the GE-NI-AL-NO-GO text about the troika ... Yes, and something else.
But still, everything is fine and right: there is a banquet with vodka and a lot of words of no interest to anyone, on which a person toils, whose story has already moved from tick / life to so / non-existence ... At the same time, is there a God and another life - and who well knows him.

It was a well acted and sung scene. With perfectly accurate reactions from those sitting at the stage table...
But then, alas, my inner “wow, how nice!” vanished because...
It seems to me that the director missed it: but I didn’t show everything that these wonderful guys can do.
And they know how to play various musical instruments and sing in chorus - plizzz.
They know the stage fight, they are not afraid of dust, water and dirt - plizzz.
We have different costumes here in the dressing room - plizzz.
Girls are not shy to show their bare breasts - plizz...

Stop. And what happened to the performance staged on the basis of GE-NI-AL-NO-GO Erdman's text?
He crumbled. Separate pearls of the text were not strung on a thread of action, but as if deliberately thrown aside...

Everyone changed clothes, put on make-up, fought, lay around ...
And when they all sat down at the TV together, they began to watch "Tom and Jerry" (by the way, good series- I, tired of the incomprehensibility of what is happening on the stage, watched the story of the cat and the mice with pleasure) ... and they began to fall “dead” one by one ...

In general, I thought that the suicide here was not Semyon Podsekalnikov and not Fedya Pitunin, but the THEATER.

And the point here is not that Comrade Stalin did not allow K.S. staging Erdman's play, thereby killing the future production... But the fact that yesterday's performance did not convince me so much that I, a spectator who adores the theater, preferred to peer into the screen of the "idiot's box", ceasing to be interested in the stage action and the fate of the characters.

It's a pity. For this Mkhatov course is extraordinarily good.
To look at them and look ... Enjoy. Remember, sorting through intonations and gestures in your mind ...
I remembered: in the "Wonder Man" there was everything necessary for remembering and enjoying.

"Suicide" dir. Mikhail Milkis
This is the fourth performance of Zemtsov and Zolotovitsky's course, which I watched at the Moscow Art Theater School-Studio during the year.
During this time, I was convinced that the students are very interesting and almost everyone has a pronounced individuality. It is clear that educational performances are designed to reveal the acting potential of children from different angles. So, for example, the star (I'm not afraid of this word) of the plastic performance "Journey to Twin Peaks" Anton Loban in "Suicide" plays the role of Podsekalnikov's mother-in-law, and Dmitry Sumin, remembered for "Undermusic" (although he was there not the brightest). And I’ll immediately say that his hero is a great success of the performance, through all the phantasmagoria of the conditional post-revolutionary world, the actor carries his own theme - the restlessness of a lonely human soul, which becomes necessary to someone only when the hero is about to commit suicide.
However, in fact, his loneliness is far from complete: Podsekalnikov’s loving wife, but completely lost in the cycle of life, is played by Elizaveta Ermakova, touching and charming (without aggressive makeup, which in other productions makes her face more rigid).

According to the plot, Podsekalnikov wants to learn how to play the trumpet in order to earn money. Unexpectedly, it was this that became the basis of the image system and style of the performance, which is oversaturated with music. Numerous, differently played musical themes, playing with sound, along with successful scenography, create a special atmosphere: winter twilight, poorly lit communal apartment of the 20s, a restaurant with a gypsy. For me, there is a lot of great spectator joy: the way Oleg Ots thrashed the piano keys, the way Liza Ermakova and Dasha Antonyuk sang, and the passage-run of the "magic flute", and the dance of Alena Mitroshina, and the metallic ringing, counting the last hours of Podsekalnikov's life (Liya Latypova in the role of the mysterious Fedya Pitunin), and the German speech during the "shooting of the film" (Nikolai Erdman - a German by birth) ...
It turned out to be a talented fantasy performance, but since the young director Mikhail Milkis went beyond the material of Erdman's play, by the end it seemed to drift a little. Last minutes fifteen look hard: the plot thread is lost (and playing with non-linearity is a complicated matter), the tempo is broken, the action begins to slip.
And yet - the performance remains in the soul, in visual and auditory memory - visual and audio images. And the role of Dmitry Sumin, even apart from everything else, makes a very strong impression - an already established actor, a young hero.

Each of my trips to the Educational Theater of the Moscow Art Theater School is a flurry of emotions and joy that the theater is alive and will live for another 1000 years! Because young actors are already creating a miracle on stage.
Yes, these are novice actors, yes, this is their first professional stage.
But thanks to the talent of teachers and themselves, very strong performances are born on this stage. Original, with a lot of new techniques and a modern look at both life and theater in particular.
Today I highly recommend the play
NON-MUSIC
which presents the audience with the 4th acting course (workshop of Igor Zolotovitsky and Sergey Zemtsov).
Going to the performance, I read in the annotation that “Undermusic” is an attempt to hear how the world sounds around us, and to feel the harmony of modern music and poetry, which is so necessary for a person, and that poems by Ivan Akhmetiev, Danila Davydov, Timur Kibirov sound in the performance , Leonid Kostyukov, Andrey Rodionov, Oleg Gruz, Leonid Gubanov, Alexei Alekhin, Naili Yamakova, Lisa Stern and Sofia Ozerman, Nina Iskrenko, Mikhail Chevega, Ali Kudryasheva, Dmitry Vodennikov, Dmitry Alexandrovich Prigov, Fyodor Svarovsky, Elena Fanailova, Sasha Ryzhakova, Anna Russ, Alexander Yarmak, Ira Vilkova, Andrey Lysikov (Dolphin), Linor Goralik, Oleg Ots.
I know many of these poets and have heard and seen them read their own poems from the stage more than once.
And, of course, it was very interesting for me to see how these same verses will sound in the performance of young actors.
And I was worried about whether I would like what I saw. Poets are often zealous about acting reading. :)